Satanism and The Rolling Stones

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Look what they've done to the song,

   NWO - ILLUMINATIE - MK-ULTRA - VICTIMS

LSD & [CIA] MkULTRA Mind Control Experiments Documentary (1979) - Mission: Mind Control [FULL]
Delve into the dark world of actual CIA Mind Control Experiments 1950s-1970s -
Uncovering government agencies (especially the CIA) that secretly tested the effects of LSD on humans. (July 10, 1979) - (Color Enhanced Video)

LSD is An hallucinogenic drug, capable of changing the way people look at, think about, and experience the world around them.

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‘Sympathy for the Devil’ 

Watch:  It’s still shocking today, when the “devil’s horns” hand gesture is commonplace in the mildest of music, to see him pull off his shirt at the end and reveal the horned head on his chest.

 

Fifty years ago this week Mick Jagger became the Devil.
Everyone had known the Rolling Stones were misogynistic, drug-taking, all-round bad boys but as he sang: “Please allow me to introduce myself / I’m a man of wealth and taste…” 

The genie – or, rather the demon – bolted from the bottle. The results would be devastating.
For pop, it laid a new path for some of the biggest bands ever, but for the Rolling Stones it led to a vicious murder at an infamous concert exactly a year from the song’s release, and an abiding reputation for evil.

The song was “Sympathy for the Devil”, the opening number on the Beggars Banquet album, both released on 6 December 1968.
The Stones’ previous LP had been Their Satanic Majesties Request.
Its occult pretensions pretty much began and ended with the title, but it was a sign of something coming.

Stones guitarist Keith Richards’ lover Anita Pallenberg, with whom Jagger had a steamy on-set relationship during shooting of the film Performance earlier in the year, was said to wear anti-vampire garlic round her neck and keep voodoo-style bones in a drawer;
 

American filmmaker and occultist Kenneth Anger wanted Jagger to play Lucifer in a film he was making; and, as the peace-and-love era drew to a close, the dark side had become increasingly attractive to pop musicians. 

Occult legend Aleister Crowley had appeared on the cover of The Beatles’ Sgt Pepper, and there was even a diabolic track in the charts on the day of the song’s release – Gun’s “Race with the Devil”.

 

 Sing This All Together” by The Rolling Stones